Posts tagged 1014 New York
Sonic Interventions: Listen to the New Podcast »Stimmbezirke« by Freie Universität Berlin
TalksElias WesselNew York, Kultur, Kunst, Photography, Elias Wessel, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Quick Response, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, Podcast, Layla Zami, Freie Universität Berlin, Institut für Theaterwissenschaft, Intervenierende Künste
Exhibition Film »It’s Complicated, Is Possibly Art« by Edna Luise Biesold at 1014 New York
VideosElias WesselNew York, Kultur, Dokumentation, Manuel Schlindwein, Kunst, Photography, Elias Wessel, Edna Luise Biesold, Buero Robot, Stephan Baumann, Alina Girshovich, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Schöne neue Welt, Schöne neue Welt – The Moving Images, Quick Response, Deepfakes, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës
Alina Girshovich: This Is Art a Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, It‘s Complicated, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas
Photographic Works Between the Years 2014-2017
PublicationsElias WesselSprung in die Zeit, Landscapes, Cityscapes, Feral, Liebst, Jejune, Die Summe meiner Daten, On Series, Off Series, B/W Series, Hinter den Dingen, Mark Gisbourne, 1014 New York, Elias Wessel: Stuck Together Pieces!, Elias Wessel: History of Touches, Consulate General of the Federal Republic, New York, Phoebe Verlag, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Goethe Institut, Visions of Synthesis
History of Touches at the Consulate General of the Federal Republic of Germany New York
ExhibitionsElias WesselDie Summe meiner Daten, On Series, Off Series, B/W Series, Elias Wessel: History of Touches, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Elias Wessel: Stuck Together Pieces!, 1014 New York, Consulate General of the Federal Republic, New York, Mark Gisbourne, Peter Duhon, Phoebe Verlag, I Don‘t Care. I Love My Phone
In »Visions of Synthesis« Mark Gisbourne Finds More Than Fine Words to Say
EssaysElias WesselMark Gisbourne, Visions of Synthesis, Courtauld Institute, Slade School of Art London, Sotheby's Institute, British Art Critics (AICA), Tate Modern, London, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, 1014 New York, Consulate General of the Federal Republic, Elias Wessel: History of Touches, Elias Wessel: Stuck Together Pieces!, Rohkunstbau (Brandenburg), Gerhard Richter, Sprung in die Zeit, Liebst, Feral, Landscapes, Cityscapes, Jejune, Hinter den Dingen, Die Summe meiner Daten, On Series, Off Series, B/W Series, Otto Piene
Stuck Together Pieces! Special Spring Viewing at 1014 New York
EventsElias WesselElias Wessel: Stuck Together Pieces!, 1014 New York, Goethe Haus, Feral, Landscapes, Cityscapes, Liebst, Sprung in die Zeit, Andy Warhol, Hannah Arendt, Uwe Johnson, Günter Grass, Rainer-Werner Fassbinder, Volker Schlöndorff, Wim Wenders, Jürgen Habermas, Max Beckmann, Candida Höfer, New York
1014 Presents »Elias Wessel: Stuck Together Pieces!« in the Heart of New York City
ExhibitionsElias Wessel1014 New York, Elias Wessel: Stuck Together Pieces!, New York, Metropolitan Museum of Art, Goethe Institut, Goethe Haus, Nina Tabassomi, Landscapes, Cityscapes, Feral, Liebst, Sprung in die Zeit, Taxispalais, Consulate General of the Federal Republic, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017
