Posts tagged Elias Wessel
Artist Talk at the AXA Art Collection Cologne
ISCP Talk: Artists at Work, Elias Wessel With Matt Saunders
TalksElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, Matt Saunders, Hartfield Foundation, Milton and Sally Avery Arts Foundation, New York City Department of Cultural Affairs, New York City Council, New York State Council on the Arts, New York State Legislature, Spallart Collection, Kunstsammlung Spallart, James Rosenquist Foundation, van Beuren Charitable Foundation, William Talbott Hillman Foundation, Harvard University, Marian Goodman Gallery
International House Alumni Event: Artist Elias Wessel ’05 Studio Tour
EventsElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, International House, Alumni, i-house, Nostalgia
Fall Open Studios at International Studio & Curatorial Program (ISCP)
Lecture Performance: Cybernetic Auditive Association, Berlin Science Week 2023
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Delirious Images, Fotografien für die nächste Gesellschaft, Hans-Christian von Herrmann, Claudia Blümle, Phonoschrank, Rüdiger Wenk, Performance, Lecture, Berlin Science Week, Object Space Agency, Art & Science, Digital, Film, Exhibition, Humboldt-Universität
Would You Share Your Gold Medal? Exhibition at School of Visual Arts New York
Exhibition Trailer »Delirious Images – Photographs for the Next Society« Kunstsammlung Willy-Brandt-Haus
VideosElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Natalia Kiës, Manu Schlindwein, Exhibition Trailer, Ausstellungsfilm
Space Invaders – Summer Open House at the International Studio & Curatorial Program (ISCP)
Artist Residency at the International Studio & Curatorial Program (ISCP)
Photoszene Festival Cologne: BEISTE_Satellite presents the exhibition »PULSAR«
»The Next Society« – Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
TalksElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Delirious Images, Fotografien für die nächste Gesellschaft, Carsten Brosda, Kulturforum, Kulturforum der Sozialdemokratie, Kulturgespräch, Artist talk, Nächste Gesellschaft
First Comprehensive Monograph »Aesthetics of Conflict« Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, It‘s Complicated, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap
Sonic Interventions: Listen to the New Podcast »Stimmbezirke« by Freie Universität Berlin
TalksElias WesselNew York, Kultur, Kunst, Photography, Elias Wessel, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Quick Response, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, Podcast, Layla Zami, Freie Universität Berlin, Institut für Theaterwissenschaft, Intervenierende Künste
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft
European Month of Photography Berlin: »Aktionstag Fotografie« at Willy-Brandt-Haus
EventsElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Judth Rosmair
New Article by Ruth Horak in the latest Eikon Issue #121
ArticlesElias WesselElias Wessel, Eikon, It‘s Complicated, Ist möglicherweise Kunst, Is Possibly Art, Ruth Horak, Die Summe meiner Daten, Schöne neue Welt, Deepfakes, Privacy, Nela Eggenberger
Can Pictures Speak? An Intermedial Experience at the Intersection of Art, Music and Technology
ExhibitionsElias WesselElias Wessel, Natalia Kiës, Manuel Schlindwein, Bärbel Kopplin, Cylvester, Max Schweder, Tobias Hartmann, Patrick Weiß, Herrweiss, Stiftung Musikfonds, GVL, Neustart Kultur, Die Beauftragte der Bundesregierung für Kultur und Medien, Sprung in die Zeit, Leap into Time, Online Exhibition, Web Experience, Interactive, Intermedial, Klangkunst, Sonic, Visual
Exhibition Film »It’s Complicated, Is Possibly Art« by Edna Luise Biesold at 1014 New York
VideosElias WesselNew York, Kultur, Dokumentation, Manuel Schlindwein, Kunst, Photography, Elias Wessel, Edna Luise Biesold, Buero Robot, Stephan Baumann, Alina Girshovich, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Schöne neue Welt, Schöne neue Welt – The Moving Images, Quick Response, Deepfakes, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës
»Textfetzen« Review by Thomas Ballhausen in Eikon #120
ArticlesElias WesselElias Wessel, Eikon, Thomas Ballhausen, Textfetzen, Kulturverlag Kadmos, It‘s Complicated, Ist möglicherweise Kunst, Is Possibly Art, Axel Gelfert, Hans-Christian von Herrmann, Christoph Neuberger
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
PublicationsElias WesselElias Wessel, DigitalPaintingPhotography, University of Derby, Carl Robinson, Frances Guerin, Matt Saunders, Dan Hays, Clare Strand, Cambridge Scholars Publishing, Publication, Photography, Painting, Rahma Khazam, Till Julian Huss, Theresia Stipp, Die Summe meiner Daten, Images through an Algorithmic Lens, It‘s Complicated, Schöne neue Welt
Reality, Technology and Art — Panel Discussion at 1014 New York
TalksElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, Wendy Suzuki, Sue Huang, New York University
Armory Week Viewing at 1014 With »It's Complicated, Is Possibly Art«
EventsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show
1014 New York presents »It's Complicated, Is Possibly Art«
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac
Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]
CollectionsElias WesselElias Wessel, 1014, 1014 space for ideas, Quick Response, NFT, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Black Square, Black Dadaistic Square, Schwarzes Quadrat, Schwarzes dadaistisches Quadrat, Schwarzes dataistisches Quadrat, Black Dataistic Square
Textfetzen. It’s Complicated: Texte aus einem a/sozialen Netzwerk 2019–2021. Ist möglicherweise Kunst
PublicationsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff
»zu mir und zu dir« – Franz Jyrch, Maria Sainz Rueda, Elias Wessel
Migrating Things – Objects Under the Influence
PublicationsElias WesselElias Wessel, Die Summe meiner Daten, Migrating Things, Sabine du Crest, Barbara Cassin, Muriel Garsson, Linéart, Musée de la Vieille Charité, Migrating things - Objects under influence, Exhibition Catalogue, Die Summe meiner Daten – Origin
Virtual Tour Through the Exhibition »I Don’t Care. I Love My Phone«
Investigations Into the Interrelationships of the Digital, Painting, and Photography
TalksElias WesselElias Wessel, Symposium, DigitalPaintingPhotography, PaintingDigitalPhotography, PhotographyDigitalPainting, Die Summe meiner Daten, Schöne neue Welt, Brave New World, It‘s Complicated, Images through an Algorithmic Lens, Martin Lang, Dawn Woolley & Zara Worth, Frances Woodleay, Rhys Himsworth, Dan Hays, Abbie Schug, Allen Hirsh, Theresia Stipp, Clare Strand, Till Julian Huss, Ian Truelove, Rahma Khazam, Matt Saunders, University of Derby, Carl Robinson
»Schöne neue Welt – The Moving Images« Are Extraordinary Things
ExhibitionsElias WesselElias Wessel, Exhibition, Objects. Stories. Experiences: Extraordinary Things, Assembly Required, Brooklyn, New York, Gowanus, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Videoinstallation, Video, Brave New World, Pawel Wojtasik, Heidi Hankaniemi, Bard College
Exhibition Catalog: »Das Objekt im Fokus. Fotografie aus der Sammlung SpallArt«
PublicationsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel, Katalog, Catalog
To Be Named – the Body. Cultural Politics of Naming and Being Named
TalksElias WesselDie Summe meiner Daten, Stephan Berg, Die Spur des Körpers, Traces of the Body, Adam Mickiewicz University in Poznan, Faculty of Modern Languages and Literatures, University of Groningen, Leiden University, Fryske Akademy Leeuwarden, University of Warsaw Faculty of Artes Liberales, Kunstmuseum Bonn, Gruppo di Azione Locale per lo Sviluppo Rurale dell’Area Grecanica, Latgolys Studentu centrs, The University of North Carolina at Chapel Hill, The University of Texas, Yale University, Smithsonian Institution, ARENET, Instituto de Docencia e Investigacion Etnologica de Zacatecas, Gwyn Isaac, Nancy Yadav, Dorota Sosnowska, Szymon Adamczak, Marta Ostajewska, Elias Wessel, Wiktor Bagiński
Spallart Collection Acquires »Images Through an Algorithmic Lens«
CollectionsElias WesselDie Summe meiner Daten, Spallart Collection, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., Collections, Kunstsammlung Spallart, Elias Wessel, Images through an Algorithmic Lens, Zur Visualisierung der Wirklichkeit
»I Don‘t Care. I Love My Phone.« Kunstsammlung SAP Presents Works From 2017-2020
Exhibition Film Released by the Embassy of the Federal Republic of Germany in Paris
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Palais Beauharnais, Embassy of the Federal Republic of Germany, Stiftung Rheinland-Pfalz für Kultur, Paris, New York, Kultur, Dokumentation, Maria Anna Tappeiner, Andreas B. Krueger, Natalia Kiés, Manuel Schlindwein, Hôtel de Beauharnais, Kunst, Photography, Elias Wessel, I Don‘t Care. I Love My Phone, Schöne neue Welt, Schöne neue Welt – The Moving Images
Eyes on the Object: The Spallart Collection Presents Selected Works From Its Rich Collection
ExhibitionsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel
Art Meets Brain at New York University
TalksElias WesselElias Wessel, Symposium, Talk, New York University, NYU, Wendy Suzuki, Ed Vessel, Max Planck Institute, Center for Neural Science, Landscapes
![Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1678735067361-6PH1J4J7JXJ3JJXMDGI1/Foto+Piotr+Bialoglowicz+%282%29.jpg)
![Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1664564485108-NT3JT24TEWS124ZBVB4Y/QR_1014_ItsComplicated_2x3.jpg)
