Posts tagged Gerhard Richter
A Thesis on Social Media’s Bastardization of the Sacred by Chunbum Park
EssaysElias WesselElias Wessel, New York, It's Complicated, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea
Casey Killoran Performs a Dadaist Reading From Elias Wessel’s Artbook »Textfetzen« [Scraps of Text]
EventsElias WesselElias Wessel, New York, It's Complicated, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Gerhard Richter, Chelsea, Casey Killoran, Antonis Pittas
»It’s Complicated« Exhibition Named a »Must See« in Artforum’s Artguide
ArticlesElias WesselElias Wessel, New York, It's Complicated, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Review, Gerhard Richter, Chelsea, Artforum, Artguide, Must See
Tique, Publication on Contemporary Art, Shares Its Selection of Interesting Exhibitions Worldwide
ArticlesElias WesselElias Wessel, New York, It's Complicated, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Review, Gerhard Richter, Chelsea, Tique, Publication on Contemporary Art
Exposing Social Media – Exhibition Review in Two Coats of Paint
ArticlesElias WesselElias Wessel, New York, It's Complicated, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea
Exhibition Catalog: »Das Objekt im Fokus. Fotografie aus der Sammlung SpallArt«
PublicationsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel, Katalog, Catalog
Spallart Collection Acquires »Images Through an Algorithmic Lens«
CollectionsElias WesselDie Summe meiner Daten, Spallart Collection, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., Collections, Kunstsammlung Spallart, Elias Wessel, Images through an Algorithmic Lens, Zur Visualisierung der Wirklichkeit
Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]
CollectionsElias WesselArtothek - die Kunstsammlung - Deutscher Bundestag, Bundeskunstsammlung, Berlin, Georg Baselitz, Joseph Beuys, Christo, Hans Haacke, Jenny Holzer, Elsworth Kelly, Anselm Kiefer, Imi Knoebel, Sigmar Polke, Neo Rauch, Gerhard Richter, Ulrike Groos Kunstmuseum Stuttgart, Anna-Catharina Gebbers Hamburger Bahnhof - Museum für Gegenwart, Friedrich Meschede Kunsthalle Bielefeld, Roland Nachtigäller Museum Marta Herford, Sprung in die Zeit, Images through an Algorithmic Lens, Kurator Dr. Kaernbach, Deutscher Bundesatg, Kunstsammlung des Deutschen Bundestages, Art Collection of the German Bundestag, Collections
Eyes on the Object: The Spallart Collection Presents Selected Works From Its Rich Collection
ExhibitionsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel
Frances Guerin Is Exploring the Intersection of Aesthetics and Social Politics at Palais Beauharnais
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Frances Guerin, Andreas Gursky, Candida Höfer, Paris, University of Kent, Paris School of Arts and Culture, Embassy of the Federal Republic of Germany, Elias Wessel: History of Touches, Dreyfus-Affäre, Thomas Ruff, Düsseldorf, Hôtel de Beauharnais, On Series, Off Series, Louis XVIII, Jacques Louis David, Prince Eugène Beauharnais, B/W Series, Andres Serrano, Michael David Barbezat, Anne M Scott, Roman Polanski, J’Accuse, Gerhard Richter, I Don‘t Care. I Love My Phone
In »Visions of Synthesis« Mark Gisbourne Finds More Than Fine Words to Say
EssaysElias WesselMark Gisbourne, Visions of Synthesis, Courtauld Institute, Slade School of Art London, Sotheby's Institute, British Art Critics (AICA), Tate Modern, London, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, 1014 New York, Consulate General of the Federal Republic, Elias Wessel: History of Touches, Elias Wessel: Stuck Together Pieces!, Rohkunstbau (Brandenburg), Gerhard Richter, Sprung in die Zeit, Liebst, Feral, Landscapes, Cityscapes, Jejune, Hinter den Dingen, Die Summe meiner Daten, On Series, Off Series, B/W Series, Otto Piene
The AXA Art Collection Acquires the Entire »Landscapes« Series
CollectionsElias WesselAXA Kunstsammlung Köln, AXA Art Collection, Landscapes, Michaela Wallner, Zero, Günther Uecker, Gerhard Richter, Joseph Beuys, Joan Miró, Andy Warhol, Collections