Was Jetzt Ist – 30 Jahre Raketenstation Hombroich
ExhibitionsElias WesselElias Wessel, Raketenstation Hombroich, Stiftung Insel Hombroich, Hombroich, Museum Insel Hombroich, Michael Growe, Oswald Egger, Katharina Grosse, Katharina Hinsberg, Tadashi Kawamata, Thomas Kling, Imi Knoebel, Ute Langanky, Katsuhito Nishikawa, Georg Schmidt, Open Studios, Siza-Pavillon, Space Invaders
Encounters at International House New York
TalksElias WesselElias Wessel, Natalia Kiës, International House, Sprung in die Zeit, SIDZ, Leap into Time, Encounters, Post-Terrestrial, Royal College of Art, RCA, Tom Klinkowstein
HEAT — Summer Exhibition at Galerie Burster, Berlin
On the Threshold — Salon Exhibition, Old Greenwich, CT
ExhibitionsElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Systems at Play, Textfetzen, CS Art Partners, Old Greenwich, Chiara Seidl, Ereignishorizonte, Event Horizon, Die Summe meiner Daten, On Series, The Sum of My Data, DSMD, Deepfakes, Privacy, It’s Complicated
Guest Lecture at the Savannah College of Art and Design (SCAD)
TalksElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Natalia Kiës, Systems at Play, Textfetzen, Fitz Patton, Brian Patton, Savannah College of Art and Design, SCAD, It’s Complicated
Poetry in Business — Guest Lecture at TGM Vienna
TalksElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Digital Art Space, Munich, Karin Wimmer, Natalia Kiës, Systems at Play, Textfetzen, Thomas McGowan, Gärtnerplatztheater, Curt Wills Stiftung, TGM, It’s Complicated
Naming and Being: Knowledges, Identities, and Cultural Politics (Routledge, 2026)
NFM (News Finds Me)
ExhibitionsElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Digital Art Space, Munich, Karin Wimmer, Natalia Kiës, Systems at Play, Textfetzen, Thomas McGowan, Gärtnerplatztheater, Curt Wills Stiftung, It’s Complicated
Liminal Spaces: An Exhibition on the Edge of Transformation at International House New York
Dream Factories — Exploring the Future of Production Architecture in Germany (Prestel, 2025)
ISCP at Almine Rech Gallery With Works by David Byrne, Ai Weiwei, Elias Wessel and More
EventsElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, David Byrne, Ai Weiwei, Remy Jungerman, Humberto Moro, Mimi Thompson, James Rosenquist Foundation, ISCP’s 30th Anniversary Benefit
Curator Daniela Yvonne Baumann on Elias Wessel: Device
EssaysElias WesselElias Wessel, Device, Daniela Yvonne Baumann, Walther Collection, Ulm, Die Summe meiner Daten, Ist möglicherweise Kunst, Is Possibly Art, Images through an Algorithmic Lens, Liebst, Sprung, Leap into Time, Ereignishorizonte, Event Horizon, It’s Complicated
Anemoia Engages Naturally With the Environment of Raketenstation Hombroich
ProjectsElias WesselElias Wessel, Stiftung Insel Hombroich, Museum Insel Hombroich, Artist Residency, Erwin Heerich, Karl-Heinrich Müller, Raketenstation Hombroich, Kirkeby-Feld, Thomas Schuette, Schuette Foundation, Roland Nachtigäller, Georg Schmidt, Langen Foundation, Tadao Ando, Feld-Haus - Museum für Populäre Druckgrafik, Clemens Sels Museum, Thomas Schütte Stiftung, Anemoia
Open Studio at Raketenstation Hombroich
EventsElias WesselElias Wessel, Stiftung Insel Hombroich, Museum Insel Hombroich, Artist Residency, Erwin Heerich, Karl-Heinrich Müller, Raketenstation Hombroich, Kirkeby-Feld, Thomas Schuette, Schuette Foundation, Roland Nachtigäller, Georg Schmidt, Langen Foundation, Tadao Ando, Feld-Haus - Museum für Populäre Druckgrafik, Clemens Sels Museum, Thomas Schütte Stiftung, Open Studios, Anemoia, Nostalgia
Museum Pfalzgalerie Kaiserslautern Publishes Exhibition Catalogue: Transformationen
PublicationsElias WesselElias Wessel, New York, MPK, Museum Pfalzgalerie Kaiserslautern, Pfalzpreis Bildende Kunst, Pfalzpreis Bildende Kunst 2024, Transformationen, Bezirksverband Pfalz, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Denise Kamm, Steffen Egle, Luisa Heese, Stefanie Kleinsorge, Tina Stolt, Julia Wallner, Arp Museum Bahnhof Rolandseck, René Zechlin, Wilhelm-Hack-Museum Ludwigshafen
Guest Artist at Stiftung Insel Hombroich
ResidencyElias WesselElias Wessel, Stiftung Insel Hombroich, Museum Insel Hombroich, Artist Residency, Erwin Heerich, Karl-Heinrich Müller, Raketenstation Hombroich, Kirkeby-Feld, Thomas Schuette, Schuette Foundation, Roland Nachtigäller, Georg Schmidt, Langen Foundation, Tadao Ando, Feld-Haus - Museum für Populäre Druckgrafik, Clemens Sels Museum, Thomas Schütte Stiftung
Chunbum Park: A Thesis on Social Media’s Bastardization of the Holy and the Sacred
EssaysElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea, It’s Complicated
Casey Killoran Performs a Dadaist Reading From Elias Wessel’s Textfetzen [Scraps of Text]
EventsElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Gerhard Richter, Chelsea, Casey Killoran, Antonis Pittas, It’s Complicated
It’s Complicated Named a Must-See in Artforum’s Artguide
ArticlesElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Review, Gerhard Richter, Chelsea, Artforum, Artguide, Must See, It’s Complicated
Tique Shares Its Selection of Interesting Exhibitions Worldwide
ArticlesElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Review, Gerhard Richter, Chelsea, Tique, Publication on Contemporary Art, It’s Complicated
Yale University Radio: Brainard Carey in Conversation With Elias Wessel
TalksElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Chelsea, Yale University, Yale University Radio, Christo and Jeanne-Claude, Marina Abramović, Hans Ulrich Obrist, Brainard Carey, Museum of Non-Visible Art, It’s Complicated
Exposing Social Media — Exhibition Review in Two Coats of Paint
ArticlesElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea, It’s Complicated
Picture Theory Presents Elias Wessel: It’s Complicated
ExhibitionsElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, It’s Complicated
Finalists of the 2024 Palatinate Prize for Fine Arts Announced
GrantsElias WesselElias Wessel, New York, MPK, Museum Pfalzgalerie Kaiserslautern, Pfalzpreis Bildende Kunst, Pfalzpreis Bildende Kunst 2024, Transformationen, Bezirksverband Pfalz, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Denise Kamm, Steffen Egle, Luisa Heese, Stefanie Kleinsorge, Tina Stolt, Julia Wallner, Arp Museum Bahnhof Rolandseck, René Zechlin, Wilhelm-Hack-Museum Ludwigshafen
Transformationen — Exhibition at Museum Pfalzgalerie Kaiserslautern
ExhibitionsElias WesselElias Wessel, New York, MPK, Museum Pfalzgalerie Kaiserslautern, Pfalzpreis Bildende Kunst, Pfalzpreis Bildende Kunst 2024, Transformationen, Bezirksverband Pfalz, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Denise Kamm, Steffen Egle
Nominee for the Palatinate Prize for Fine Arts 2024
GrantsElias WesselElias Wessel, New York, MPK, Museum Pfalzgalerie Kaiserslautern, Pfalzpreis Bildende Kunst, Pfalzpreis Bildende Kunst 2024, Transformationen, Bezirksverband Pfalz, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Denise Kamm, Steffen Egle
Artist Talk at the AXA Art Collection in Cologne
Artists at Work: Aesthetics of Conflict — Elias Wessel With Matt Saunders at ISCP
TalksElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, Matt Saunders, Hartfield Foundation, Milton and Sally Avery Arts Foundation, New York City Department of Cultural Affairs, New York City Council, New York State Council on the Arts, New York State Legislature, Spallart Collection, Kunstsammlung Spallart, James Rosenquist Foundation, van Beuren Charitable Foundation, William Talbott Hillman Foundation, Harvard University, Marian Goodman Gallery
International House Alumni Event: Artist Elias Wessel ’05 Studio Tour
EventsElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, International House, Alumni, i-house, Nostalgia
Fall Open Studios at International Studio & Curatorial Program (ISCP)
Cybernetic Auditive Association — Lecture Performance at Humboldt-Universität zu Berlin, Berlin Science Week
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Delirious Images, Fotografien für die nächste Gesellschaft, Hans-Christian von Herrmann, Claudia Blümle, Phonoschrank, Rüdiger Wenk, Performance, Lecture, Berlin Science Week, Object Space Agency, Art & Science, Digital, Film, Exhibition, Humboldt-Universität
Would You Share Your Gold Medal? Exhibition at the School of Visual Arts, New York
Exhibition Trailer: Delirious Images – Photographs for the Next Society, Kunstsammlung Willy-Brandt-Haus
VideosElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Natalia Kiës, Manu Schlindwein, Exhibition Trailer, Ausstellungsfilm, It’s Complicated
Space Invaders — Summer Open House at the International Studio & Curatorial Program (ISCP)
Artist Residency at the International Studio & Curatorial Program (ISCP)
Photoszene Festival Cologne: BEISTE_Satellite Presents the Exhibition PULSAR
The Next Society — Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
TalksElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Delirious Images, Fotografien für die nächste Gesellschaft, Carsten Brosda, Kulturforum, Kulturforum der Sozialdemokratie, Kulturgespräch, Artist talk, Nächste Gesellschaft, It’s Complicated
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap, It’s Complicated
Sonic Interventions: Listen to the New Podcast Stimmbezirke by Freie Universität Berlin
TalksElias WesselNew York, Kultur, Kunst, Photography, Elias Wessel, 1014, 1014 New York, 1014 space for ideas, Is Possibly Art, Exhibition, Quick Response, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, Podcast, Layla Zami, Freie Universität Berlin, Institut für Theaterwissenschaft, Intervenierende Künste, It’s Complicated
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, It’s Complicated
European Month of Photography Berlin: Aktionstag Fotografie at Willy-Brandt-Haus
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Judth Rosmair, It’s Complicated
New Article by Ruth Horak in Eikon Issue #121
ArticlesElias WesselElias Wessel, Eikon, Ist möglicherweise Kunst, Is Possibly Art, Ruth Horak, Die Summe meiner Daten, Schöne neue Welt, Deepfakes, Privacy, Nela Eggenberger, It’s Complicated
Can Pictures Speak? An Intermedial Experience at the Intersection of Art, Music and Technology
ExhibitionsElias WesselElias Wessel, Natalia Kiës, Manuel Schlindwein, Bärbel Kopplin, Cylvester, Max Schweder, Tobias Hartmann, Patrick Weiß, Herrweiss, Stiftung Musikfonds, GVL, Neustart Kultur, Die Beauftragte der Bundesregierung für Kultur und Medien, Sprung in die Zeit, Leap into Time, Online Exhibition, Web Experience, Interactive, Intermedial, Klangkunst, Sonic, Visual
Exhibition Film: It’s Complicated, Is Possibly Art by Edna Luise Biesold at 1014 New York
VideosElias WesselNew York, Kultur, Dokumentation, Manuel Schlindwein, Kunst, Photography, Elias Wessel, Edna Luise Biesold, Buero Robot, Stephan Baumann, Alina Girshovich, 1014, 1014 New York, 1014 space for ideas, Is Possibly Art, Exhibition, Schöne neue Welt, Schöne neue Welt – The Moving Images, Quick Response, Deepfakes, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, It’s Complicated
Textfetzen — Review by Thomas Ballhausen in Eikon #120
ArticlesElias WesselElias Wessel, Eikon, Thomas Ballhausen, Textfetzen, Kulturverlag Kadmos, Ist möglicherweise Kunst, Is Possibly Art, Axel Gelfert, Hans-Christian von Herrmann, Christoph Neuberger, It’s Complicated
Matt Saunders: Connoisseur of Chaos: Wessel’s Broken Picture Space
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
PublicationsElias WesselElias Wessel, DigitalPaintingPhotography, University of Derby, Carl Robinson, Frances Guerin, Matt Saunders, Dan Hays, Clare Strand, Cambridge Scholars Publishing, Publication, Photography, Painting, Rahma Khazam, Till Julian Huss, Theresia Stipp, Die Summe meiner Daten, Images through an Algorithmic Lens, Schöne neue Welt, It’s Complicated
Reality, Technology and Art — Panel Discussion at 1014 New York
TalksElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, Wendy Suzuki, Sue Huang, New York University, It’s Complicated
Armory Week Viewing at 1014 With It’s Complicated, Is Possibly Art
EventsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, It’s Complicated
1014 New York Presents It’s Complicated, Is Possibly Art
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac, It’s Complicated
Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]
CollectionsElias WesselElias Wessel, 1014, 1014 space for ideas, Quick Response, NFT, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Black Square, Black Dadaistic Square, Schwarzes Quadrat, Schwarzes dadaistisches Quadrat, Schwarzes dataistisches Quadrat, Black Dataistic Square
Textfetzen. It’s Complicated: Texte aus einem a/sozialen Netzwerk 2019–2021. Ist möglicherweise Kunst
PublicationsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, It’s Complicated
zu mir und zu dir – Franz Jyrch, Maria Sainz Rueda, Elias Wessel
Gwyneira Isaac: Mind the Gap. Elias Wessel’s Ereignishorizonte and the Thermodynamics of TikTok
Migrating Things – Objects Under the Influence
PublicationsElias WesselElias Wessel, Die Summe meiner Daten, Migrating Things, Sabine du Crest, Barbara Cassin, Muriel Garsson, Linéart, Musée de la Vieille Charité, Migrating things - Objects under influence, Exhibition Catalogue, Die Summe meiner Daten – Origin
Ruth Horak: The Screen Is Never Empty
Alina Girshovich: This Is Art: A Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas, It’s Complicated
Virtual Tour: I Don’t Care. I Love My Phone
Nikolaus Kratzer: Images Through an Algorithmic Lens: On the Visualization of Reality
Christoph Neuberger: The Way Back From the Digital to the Analog
Axel Gelfert: The Newsfeed as an Algorithmic Palimpsest
Hans-Christian von Herrmann: Unsubstantiated Presence – Can Elias Wessel’s Textfetzen Be Read?
Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
Hans-Jürgen Herschel: Variations on Die Freude am Rest [The Joy in What Remains]
Investigations Into the Interrelationships of the Digital, Painting, and Photography
TalksElias WesselElias Wessel, Symposium, DigitalPaintingPhotography, PaintingDigitalPhotography, PhotographyDigitalPainting, Die Summe meiner Daten, Schöne neue Welt, Brave New World, Images through an Algorithmic Lens, Martin Lang, Dawn Woolley & Zara Worth, Frances Woodleay, Rhys Himsworth, Dan Hays, Abbie Schug, Allen Hirsh, Theresia Stipp, Clare Strand, Till Julian Huss, Ian Truelove, Rahma Khazam, Matt Saunders, University of Derby, Carl Robinson, It’s Complicated
Schöne neue Welt – The Moving Images Are Extraordinary Things
ExhibitionsElias WesselElias Wessel, Exhibition, Objects. Stories. Experiences: Extraordinary Things, Assembly Required, Brooklyn, New York, Gowanus, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Videoinstallation, Video, Brave New World, Pawel Wojtasik, Heidi Hankaniemi, Bard College
Exhibition Catalogue: Das Objekt im Fokus. Fotografie aus der Sammlung SpallArt
PublicationsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel, Katalog, Catalog
To Be Named – The Body. Cultural Politics of Naming and Being Named
TalksElias WesselDie Summe meiner Daten, Stephan Berg, Die Spur des Körpers, Traces of the Body, Adam Mickiewicz University in Poznan, Faculty of Modern Languages and Literatures, University of Groningen, Leiden University, Fryske Akademy Leeuwarden, University of Warsaw Faculty of Artes Liberales, Kunstmuseum Bonn, Gruppo di Azione Locale per lo Sviluppo Rurale dell’Area Grecanica, Latgolys Studentu centrs, The University of North Carolina at Chapel Hill, The University of Texas, Yale University, Smithsonian Institution, ARENET, Instituto de Docencia e Investigacion Etnologica de Zacatecas, Gwyn Isaac, Nancy Yadav, Dorota Sosnowska, Szymon Adamczak, Marta Ostajewska, Elias Wessel, Wiktor Bagiński
Bärbel Kopplin: Photography as Experimental Arrangement and Thought Process
EssaysElias WesselBärbel Kopplin, Kuratorin, Kunstsammlung Hypovereinsbank, Kunstsammlung der Unicredit Bank, München, Munich, Sprung in die Zeit, Art Collection of the German Bundestag in Berlin, Artothek - die Kunstsammlung - Deutscher Bundestag, Otto Piene, Bundeskunstsammlung
Spallart Collection Acquires Works From Images Through an Algorithmic Lens
CollectionsElias WesselDie Summe meiner Daten, Spallart Collection, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., Collections, Kunstsammlung Spallart, Elias Wessel, Images through an Algorithmic Lens, Zur Visualisierung der Wirklichkeit
Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]
CollectionsElias WesselBundeskunstsammlung, Berlin, Georg Baselitz, Joseph Beuys, Christo, Hans Haacke, Jenny Holzer, Elsworth Kelly, Anselm Kiefer, Imi Knoebel, Sigmar Polke, Neo Rauch, Gerhard Richter, Ulrike Groos Kunstmuseum Stuttgart, Anna-Catharina Gebbers Hamburger Bahnhof - Museum für Gegenwart, Friedrich Meschede Kunsthalle Bielefeld, Roland Nachtigäller Museum Marta Herford, Sprung in die Zeit, Images through an Algorithmic Lens, Kurator Dr. Kaernbach, Kunstsammlung des Deutschen Bundestages, Art Collection of the German Bundestag, Collections, Artothek - die Kunstsammlung - Deutscher Bundestag, Deutscher Bundestag
Ist möglicherweise Kunst — Audio Works Supported by the Foundation Rhineland-Palatinate for Culture
I Don’t Care. I Love My Phone. Kunstsammlung SAP Presents Works From 2017–2020
Exhibition Film Released by the Embassy of the Federal Republic of Germany in Paris
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Palais Beauharnais, Embassy of the Federal Republic of Germany, Stiftung Rheinland-Pfalz für Kultur, Paris, New York, Kultur, Dokumentation, Maria Anna Tappeiner, Andreas B. Krueger, Natalia Kiés, Manuel Schlindwein, Hôtel de Beauharnais, Kunst, Photography, Elias Wessel, I Don‘t Care. I Love My Phone, Schöne neue Welt, Schöne neue Welt – The Moving Images
Beyond the Digital Promise: Virtual Communities and Democracy in Recent Contemporary History
Direkte Auktion – The Art Scene Helps Itself
Eyes on the Object: The Spallart Collection Presents Selected Works From Its Rich Collection
ExhibitionsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel
Frances Guerin Explores the Intersection of Aesthetics and Social Politics at Palais Beauharnais
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Frances Guerin, Andreas Gursky, Candida Höfer, Paris, University of Kent, Paris School of Arts and Culture, Embassy of the Federal Republic of Germany, Elias Wessel: History of Touches, Dreyfus-Affäre, Thomas Ruff, Düsseldorf, Hôtel de Beauharnais, On Series, Off Series, Louis XVIII, Jacques Louis David, Prince Eugène Beauharnais, B/W Series, Andres Serrano, Michael David Barbezat, Anne M Scott, Roman Polanski, J’Accuse, Gerhard Richter, I Don‘t Care. I Love My Phone
Foundation Rhineland-Palatinate for Culture Supports Schöne neue Welt Series
The Digital Space Never Forgets: Amnesty International Reports on Die Summe meiner Daten
Participating From a Distance With Images Through an Algorithmic Lens
Maltreating Dozens of Smartphones Turns Into Schöne neue Welt
Artists Talk on Art — Elias Wessel in Conversation With Peter Duhon
Guided Tours of History of Touches at Palais Beauharnais
Response in a Visual Language to the Tension Between Fascination, Wonder and Anxiety
Dataism: The Quantifiable Human. In Cooperation With Stiftung Neue Verantwortung
EventsElias WesselPalais Beauharnais, Die Summe meiner Daten, La somme de mes données, Embassy of the Federal Republic of Germany, Nikolaus Meyer-Landruth, Celine Göhlich, Stiftung Neue Verantwortung, Paris, On Series, B/W Series, Off Series, I Don‘t Care. I Love My Phone
Embassy of the Federal Republic of Germany in Paris Publishes Exhibition Catalogue
Elias Wessel: La somme de mes données at Palais Beauharnais, Paris
Stephan Berg Discovers Traces of the Body Within Die Summe meiner Daten
Exhibition Catalogue: I Am All of Glass
I Am All of Glass – Marianne Brandt and the Art of Glass Today
Tagesschau: 100 Jahre Bauhaus: Ausstellung über Glas in Chemnitz
Guesswork Leads to Dialogue
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Kunstverein Speyer e. V., ARD, SWR, Maja Hattesen, Digitalisierung Überwachung Identität, SWR Aktuell, I Don‘t Care. I Love My Phone
Digitization, Surveillance and Identity at the Kunstverein Speyer e. V.
ExhibitionsElias WesselDie Summe meiner Daten, Kunstverein Speyer e. V., Digitalisierung Überwachung Identität, On Series, B/W Series, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Abstrakte Realitäten, SWR, ARD, SWR Kulturtipps, I Don‘t Care. I Love My Phone
Absolute Abstraction Merges With Absolute Realism
PublicationsElias WesselDie Summe meiner Daten, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Malu Dreyer, Kunstverein Speyer e. V., On Series, B/W Series, Off Series, Digitalisierung Überwachung Identität, Phoebe Verlag, Städel Museum Frankurt, Abstrakte Realitäten, I Don‘t Care. I Love My Phone
Jenny Graser’s Note Upon the Mystic Writing-Pad
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Jenny Graser, Abstrakte Realitäten, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Digitalisierung Überwachung Identität, Embassy of the Federal Republic of Germany, Kunstverein Speyer e. V., Sigmund Freud, Wunderblock, I Don‘t Care. I Love My Phone
Internationale Photoszene Köln
Luther, Uecker and Wessel Are in Concert at Art Basel
Wessel’s Landscapes Are Too Present to Be Abstract Art, but Also Too Abstract to Represent the Present
PublicationsElias WesselLandscapes, Phoebe Verlag, Deutsches haus at NYU, NYU Arts & Science, In the end though nothing is lost, New York, Jenny Graser, Städel Museum Frankurt, Frank Wolff, Moderne Geschichte / IMIS Universität Osnabrück, Uwe Melichar, Kulturstiftung Speyer
In the Landscapes Series, Each Picture Is a Sum of Destruction
![Casey Killoran Performs a Dadaist Reading From Elias Wessel’s Textfetzen [Scraps of Text]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/689d7eb7-d540-4283-9945-fa8e483e6313/PictureTheory_EliasWessel_ArtistConversations_Image_01.jpg)
![Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1678735067361-6PH1J4J7JXJ3JJXMDGI1/Foto+Piotr+Bialoglowicz+%282%29.jpg)
![Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1664564485108-NT3JT24TEWS124ZBVB4Y/QR_1014_ItsComplicated_2x3.jpg)
![Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1677175839651-VGHSH9SQMMJ450EMGFNC/Andreas-Brenne_Portrait_Bild-Tagesschau.jpg)
![Hans-Jürgen Herschel: Variations on Die Freude am Rest [The Joy in What Remains]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1677170713580-CRY71XVU5GXQNVWRXWW6/Hans-Ju%CC%88rgen-Herschel_Portrait_Foto-ps.jpg)
![Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1628995840863-KJ2DOBQ5OWFC77T2ZT8R/Deutscher%2BBundestag%2B-%2B3x2.jpg)
